Underground

underground

„However we need to realize that most of the people who join cults are not abnormal; they’re not disadvantaged; they’re not eccentrics. They are the people who live average lives (and maybe from the outside, more than average lives) who live in my neighbourhood. And in yours.

Maybe they think about things a little too seriously. Perhaps there’s some pain they’re carrying around inside. They’re not good at making their feelings known to others and are somewhat troubled. They can’t find a suitable means to express themselves, and bounce back and forth between feelings of pride and inadequacy. That might very well be me. It might be you.”

Pe Haruki Murakami l-am descoperit într-un moment în care eram puțin satulă de lecturi ușurele și doream neapărat ceva mai challenging care să mă pun pe gânduri, o poveste care să mă absoarbă total. Și încă ce poveste mi-a fost dat să găsesc! O cunoștință mi-a povestit puțin despre scrierile lui Murakami și mi-a împrumutat 1Q84, puțin scary ca dimensiuni, însă cu toate astea eram super curioasă.

De atunci, mi-am propus să citesc cât mai multe dintre cărțile lui. Ce nu știam e că a scris și non-ficțiune și evident că am fost și mai curioasă de acest aspect. Am dat de ”Underground” și faptul că am și primit-o drept cadou de ziua mea anul trecut poate fi interpretat drept o aliniere a stelelor pentru ca eu să citesc cartea imediat, însă nu s-a și întâmplat așa. Am ajuns la ea doar în această vară și am terminat-o de citit pe meleaguri grecești. Continue reading “Underground”

1Q84 – About alternate worlds and breaking the rules

If you’ve never read Murakami before I do not think there is anything that can prepare for what you are about to experience reading “1Q84”. The whole unease that gets to you throughout the story, the alternating thoughts of “Oh, I think I’m starting to get it” and “OK, what the hell is happening?” and a pretty much open ending are things I’ve only been faced with when I read “House of Leaves” by Mark Z. Danielewski.

During the time I read this story, which in Romanian is separated into three volumes, I was telling my friends how interesting and different this story is compared to anything I’ve stumbled upon. Chapter by chapter I was also trying to make sense of the story and not just take it as it is, weird and highly mysterious. I am aware that there is a risk of blowing up the whole magic of the book, but I enjoy going into deeper meanings and trying to figure out what was the author trying to express and achieve with the story.

Now I will tell you a bit about the story and why I think it’s worth the read.

First we are presented with this young woman named Aomame that is in a taxi, stuck in traffic, on the motorway, on her way to a very important meeting. There was no way she could make it in time if she stood in that car, so she had to find another way. The taxi driver told her that there are stairs that could her off the motorway, but that she should be aware that if she takes this road things will change: And after you do something like that, the everyday look of things might seem to change a little. Things may look different to you than they did before. I’ve had that experience myself. But don’t let appearances fool you. There’s always only one reality.”

The other timeline we follow in this story is the one of Tengo, a young maths teacher who wishes to become a writer. A friend of his who works at a publishing house comes to him one day with a tempting offer. He proposes that Tengo rewrite this fantasy book called Air Chrysalis, by a teenage girl, that has a lot of potential to win a literary prize and become a bestseller, but it needs to be “polished”.

Neither Tengo nor Aomame can imagine what they are getting themselves into by choosing to take the paths presented to themselves, but it sure makes for a quite interesting journey for the reader. We are also presented with an isolated religious cult, an old lady with an agenda that offers shelter to victims of domestic abuse, talks about what reality is, about love, religion and belief and an alternate world that holds 2 moons on its sky and tales of Little People that make air chrysalides.

You are probably wondering about the title too. The action starts in 1984, but then continues into an alternate world that Aomame calls 1Q84: Q stands for question (a world that bears a question) but it is also how number 9 sounds in Japanese (“kyū”, “kew”). It also is a reference to the book “1984” by George Orwell, but as I have not read the book by Orwell I cannot say how similar the stories are, only that elements from “1984” are mentioned in “1Q84”.

Besides the weird and highly mysterious sci-fi story, which I was half expecting, I was impressed about how much the book references to writing itself mostly through the character of Tengo. Murakami is surely not known for being conventional and you can easily spot that from the starting chapters of this novel. He also admitted to not being a fan of writing rules, also stating that he enjoys writing not knowing what the next page could bring and not sticking to a certain style or genre. This might as well be a way for chaos to manifest, but I assure you it’s the opposite. It makes for an interesting and rewarding experience if you ask me.

Yes, the story is long and if you are afraid of big books this might kill the enthusiasm at first. At times, this story might seem very monotonous and it might feel like the story is dragging on and nothing is happening, but looking back it was worth it because describing people’s routines adds a new layer to the feel of a story. Also, if you are the kind of person that looks for closure at the end of a book, this need of yours is only partially met at the end of “1Q84”, many mysteries are left unanswered and you are going to have to live with that.

Personally, I do not mind an open ending especially if the case is of a fantasy/sci-fi story, but the curiosity still remains. So I obviously went online to try to make sense of certain aspects of the story. The author himself did not reveal too much about what’s left undisclosed to leave it all up to you, to allow you to make your contribution to the book in a way. But there are theories online that make sense, at least for me. I will leave some links below if you read the book and feel the need for more information:

http://harvardpolitics.com/literary-supplement-1/running-through-murakamis-1q84/

http://www.nybooks.com/articles/2011/12/08/behind-murakamis-mirror/

https://www.washingtonpost.com/entertainment/books/michael-dirda-reviews-1q84-by-haruki-murakami/2011/10/14/gIQAyyzwyL_story.html

http://www.michaeljohngrist.com/2012/02/1q84-book-review-haruki-murakami/

http://lakeivan.org/wordpress/?page_id=412

 

Bottom line, this will not be the first and last book by Murakami that I will read. While many say this is not exactly his best work, in my opinion it did its job. For me, it opened a new world, and while it wasn’t a comfortable, warm and fuzzy one, I felt that at the end I left that world with much more than just a catchy and at time suspenseful, weird story: an experience that will stay with me for a while, an author that inspires me to read and write more and with courage to break the rules once in a while and see where that might take me creatively.

Have you read any of Haruki Murakami’s books?

book cover taken from HERE